Narrative Transport. The official Michael Pryor website.
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  • December31st

    As is customary, here’s my round-up of professional whatnots in 2011:

    • two books published – Hour of Need in May (the last book of ‘The Laws of Magic’) and The Extinction Gambit in December (the first book of ‘The Extraordinaires’)
    • wrote two books (‘The Extinction Gambit’ and a top secret project which is to be published in April next year)
    • three short stories published
    • visited twenty schools for author talks, including two schools in Hong Kong
    • appeared at the Sydney Writers Festival, Somerset Literary Festival, Woodend Literary Festival and the Write Around the Murray Festival
    • started a blog
    • planned and researched for the continuation of ‘The Extraordinaires’.

    I’m sure I’ve forgotten things, but I think that sums it up. Happy New Year to you all!

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  • December8th

    Tristan Bancks

    I wolfed these Paul Jennings’ stories down when I was about nine years-old. Unreal was so different to anything that I had read before. Read More | Comments

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  • December1st

    Scot Gardner

    Today’s Guest Blogger is Scot Gardner. Scot is a much loved and much lauded writer for young people. His many books since include ‘Burning Eddy’, which was short-listed for both the CBCA and NSW Premier’s Literary awards.

    As a kid, I read about the world. I memorised the Latin names of Australia’s deadliest snakes and could name all the birds that frequented our neighbourhood. I loved Cayley’s ‘What Bird is That?’ but I’d never read it from cover to cover, just flicked until I could pick a raptor in flight. I still have my coverless and dog-eared copy, but the first book I truly read—that hooked me and took me away—was a novel by an obscure American writer. The librarian at school handed me the copy—the one with the hand-drawn boy wearing the falconry glove and the Peregrine falcon in stoop. ‘My Side of the Mountain’ by Jean Craighead George. The librarian had handed me books before, but this was the first story. I took it home, lost myself and found myself between the pages. It’s a story about a boy who runs away from home and shelters in a hollow tree, lives off berries and nuts and has a falcon who hunts rabbits for him.  Autonomy. A glorified Northern hemisphere reflection of my antipodean summers. I was seventeen. I never had a falcon. From that moment on, when I spotted one in the sky, I’d hold up my wrist and whistle … just in case.

     

    Scot’s latest book is ‘The Dead I Know’, from Allen and Unwin. For more, visit Scot’s website.

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  • November29th

    I visit many schools and libraries, and speak to a lot of young people about books and reading and writing. One of the (many) things I tell them is that history is a fantasy writer’s best friend. As a fantasy writer, I Nom, nom, nomlove what history can offer. As well as simply being interesting in its own right, history is a goldmine for anyone contemplating writing fantasy. Take any period in history, change a few names, sprinkle in some magic and suddenly you have an outline for a massive fantasy trilogy. At least.

    While that might be tongue in cheek, learning about history is a superb way to generate ideas for writing. Not just the great people and great events – although that sort of thing is valuable – but intimate details of social history, how people lived and worked and played.

    This leads to one of the central paradoxes of writing fantasy. Yes, it’s all made up and imaginary and strange – but it works best when it’s realistic. The aim of the writer of fantasy is to make the exotic into something believable – or plausible, at least. Read More | Comments

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  • November24th

    Hazel Edwards

    Today’s Guest Post has Hazel Edwards remembering a particular, and mysterious, form of narrative transport. Hazel is one of Australia’s best-loved writers. She thrives on writing for all ages and has published over 200 books across a range of subjects and genres.

    Aged 14, I lived in a country general store, and caught the school bus into the high school. For a readaholic, that was 45 minutes reading either way.

    I loved mysteries or espionage (spies) because the stories had a twist. But I also liked biographies about writers, because I wanted to be an author, and I didn’t know any. I wanted to know how they could fit in adventures, travel , work ,family and friends and still have time to write. So I read about French writers like Simone de Beauvoir, Albert Camus  and others whose names I wasn’t sure how to pronounce. I appreciated English writer Virginia Woolf’s  need for a room of one’s own and an income if you wanted to write. I read about Australian writer Ruth Park (not knowing that in the future, her twin daughters  would illustrate my picture books. Deborah Niland illustrated  ‘There’s a Hippopotamus on Our Roof Eating Cake’  and Kilmeny Niland illustrated  my picture book ‘Feymouse’).  I also liked reading Chinese history about the female ruler whose name I couldn’t pronounce either.  That was often a problem from my reading, I’d mispronounce names because I’d only seen the words and never heard them spoken.

    Then I read about Antarctic explorers. And decided I wanted to be an adventurous writer who would have an excuse for travelling to interesting places, because writing about them was considered work. Later I went on an Antarctic expedition and trekked in Nepal and went outback. A few years ago, I wrote ‘Outback Ferals’ which is set in Darwin in the Northern Territory with choppers and crocodiles, so sometimes your early reading influences you in ways you can’t predict.

    A very different book was George Orwell’s ‘Animal Farm’  which was the first political satire I’d read. The animals acted like people. Orwell researched by ‘doing’ and having new experiences, in order to write realistically, and that  really appealed to me.

    I’m often asked my favourite book but my honest answer is usually the one I’m reading at the time. Because if you are inside the head of the author for the length of that book, or the length of the school bus ride, you are transported into another world.

    Hazel’s most recent books are the junior mystery, easy reading  series ‘Project Spy Kids’ and ‘Frequent Flyer Twins’  illustrated by Jane Connory, are downloadable e-books,  http://www.hazeledwards.com/shop/category/literacy-mysteries and even have stickers and merchandise. For more information, visit Hazel’s website.

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  • November22nd

    I made my first Book Trailer back in 2007, when the whole Book Trailer thing was really starting to take off. Since then, I’ve seen million dollar Book Trailers and I’ve seen Book Trailers done on a shoestring budget.Smile! Sometimes, it’s been hard to tell the difference – in good ways and bad ways.

    The challenge is always the same. A minute and a half (maybe more, maybe less) to entrance viewers, to captivate and fascinate them, to make them think that the book that is featured is the best thing ever and they simply have to go out and read it.

    All in ninety seconds.

    I’ve put together a few ideas for those attempting to put together a Book Trailer. I’m aiming these tips mostly at young people in schools, but the general principles are the same for everyone.

    Read More | Comments

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  • November17th

    Richard Harland

    Richard Harland

    Richard Harland

    uncle remus

    Uncle Remus and Brer Rabbit

     

     

     

     

     

     

     

    Today’s Guest Post has Richard Harland reminiscing about his cherished book from childhood. Richard is one of Australia’s most popular YA Fantasy writers.

    The first books I truly loved when I was old enough to read for myself were two books of Brer Rabbit stories.  I know Joel Chandler Harris collected and wrote out the original stories, and I’ve tried to read them as an adult, but the dialect was too heavy and I wasn’t interested in the Uncle Remus framing narrative. These books were the stories re-told in more modern English—I wouldn’t have a clue who did the re-telling or who drew the illustrations. Still, it wasn’t fully modern English, because the flavour of the original was still there in phrases like ‘licketty-split’ and ‘Brer Fox sez, sez he’. I remember the animal characters were always ‘sauntering along’ and being ‘’cute’ (i.e. acute, smart). Read More | Comments

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  • November15th

    I can see many things

    Hesketh Hesketh-Prichard

    One of the best (and most unexpected things) about being a writer in this interconnected world is that I’m in touch with people who are interested in books, reading and writing, and they live all over the place. When it becomes known that I have various research needs, these clever individuals come to the rescue, often pointing me toward the remarkable, the extraordinary and the outlandish – just the sort of thing I revel in.

    I’ve mentioned fellow bibliophile Stephen Bresnehan before, and he was the one who brought the imperiously named Hesketh Hesketh-Prichard to my attention. After some investigation, I’ve come to the conclusion that HHP was one of those people that would be difficult to make up. On the other hand, his life was so rich, so varied, so remarkable that it’s a lesson for a writer in how much goes into the making of a person.

    HHP was one of those Edwardian fellows who could have stepped out of the pages of Kipling. To know that he wrote Sniping in France as a guide to those chaps in the trenches who were going about it in entirely the long way is an insight into the man. The book is a sometimes startling look at other days and other ways, with an admiring foreward by General Lord Horne of Stirkoke, who begins with: ‘It may fairly be claimed that when hostilities ceased on November nth, 1918, we had outplayed Germany at all points of the game.’ Read More | Comments

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  • November10th

    Sophie Masson

    This is the second in a series of Guest Posts from some of our finest writers. Today, it’s Sophie Masson. Sophie has had more than 50 novels published in Australia and internationally, mostly for young adults and children, but also for adults, including the internationally-selling ‘Forest of Dreams‘ .

    In English-speaking countries, Jules Verne is mainly remembered for his pioneering science-fiction  novels: Twenty Thousand Leagues under the Sea, Journey to the Centre of the Earth, From the Earth to the Moon, and of course his ‘science-flavoured’ great romp, Around the World in Eighty Days. But Verne also wrote dozens of adventure stories of a more classic kind, set in all sorts of exotic locales, such as Australia and the Pacific (Captain Grant’s Children, Mistress Branican) Alaska, China, South America … And, in the 1876 novel, which is reckoned in France to be his very best, the biggest country in the world, Russia.

    Read More | Comments

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  • November4th

    Yes, I really do.

     

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