Narrative Transport. The official Michael Pryor website.
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  • May29th

    Here’s a teaser for my newest book, ‘Gap Year in Ghost Town’, coming in August 2017 from Allen & Unwin.

     

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  • December11th

    A lot of buzz is already out there for this YA anthology from Harper Collins, due for publication in May 2017. It’s great being part of such a phalanx of top YA writers. Knowing them, I’m sure that the collection will be a delight, full of different approaches and voices. See here for more details and pre-ordering. #loveozya

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  • November12th

    dystopiasAh, definitions, definitions, definitions! It’s always the way with genre fiction that we have to grapple with definitions and borders and ruling in and ruling out. It’s funny how mainstream fiction doesn’t get all het up about things like, but that’s an issue for another day.

    This selection of ten superb Australian YA fiction titles is probably more of a grab bag than the last few I’ve done (see here and here) but that’s the nature of the beast. I’m possibly conflating two sub-genres here but they go together so naturally, and there are so many overlaps and titles on the border but I’m happy to live with this. The grand tradition of the End of the World novel and the grand tradition of the post-apocalyptic Dystopian novel are well represented in Australian YA fiction, with standout series like John Marsden’s Tomorrow When the War Began opus, but I’m spreading the net wide and I hope to introduce some titles that you might be unaware of, or titles that have been unjustly neglected.

    In short, if you like The Hunger Games or Divergent or The Maze Runner you might like to try these sensational books.

    For more on each of them, follow the hyperlinks.

     

    CBD – John Heffernan (2000). Twenty-third century Sydney is in ruins, and long hidden stories might point the way to escape from an oppressive society. Dark and absorbing.

    My Sister Sif – Ruth Park (1986). Is the world ending or is it just in really bad shape? ClifFi ahead of its time. Lyrical and dreamlike.

    Taronga – Victor Kelleher (1986). It helps to survive in a post-apocalyptic world if you can talk to and befriend animals. Groundbreaking and iconic.

    The Interrogation of Ashala Wolf – Ambelin Kwaymullina (2013). Post-apocalyptic mind powers, repressive dictatorship, hidden secrets to be uncovered, rebels and underground resistance. What’s not to like? Punchy and refreshing.

    Originator – Claire Carmichael (1998). Plagues have decimated the world and society is rigidly stratified, and our heroes are rebels. Pacey and challenging.

    Shade’s Children – Garth Nix (1997). In an unhappy future where no adults exist 14-year-olds are harvested for their parts, which is pretty dystopic. Grim and clever.

    Waiting for the End of the WorldLee Harding (1983). In the chaos following the collapse of society, fleeing to the hills to escape the rising tyranny looks like a solution. Gritty and thoughtful.

    The Lake at the End of the World – Caroline MacDonald (1988). In a post-nuclear holocaust world survival is complicated by the entrenched beliefs of cults. Farseeing and moving.

    Chasing the Valley – Skye Melki-Wegner (2013). Power struggles in a dystopic world full of clever magic and esoteric technology. Lively and original.

    Obernewtyn – Isobelle Carmody (1987). After the apocalypse outcasts and misfits struggle for freedom. Intense and compelling.

     

    As usual, modesty forbids me including my end of the worlder, Blackout (2000), but if you’d like to see what happens to society when all electricity stops, I’m not going to stand in your way :-).

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  • October23rd

    fantasy-covers

    In singling out High Fantasy, I’m really genre splitting here and trying to show that Fantasy is a vast and varied offering, with all sorts of subtleties, approaches and flavours that non-genre readers are perhaps unaware of. By High Fantasy, I mean the full on Tolkienesque epic, complete with fully imagined secondary world, lots of magic and rampant adventure. Australia has a great tradition of writing YA High Fantasy. Here are some recommendations that range over the years right up until today, some obvious choices, some less well known. Some of that is, naturally, are the first books of series. For more on each title, follow the links.

    1. The Starthorn Tree – Kate Forsyth. Foretellings and escapes.
    2. Sabriel – Garth Nix. The bells and the dead.
    3. A Dark Winter – Dave Luckett. Battles and empires.
    4. The Green Prince – Sophie Masson. Prophecies and the sea.
    5. Foundling – David Cornish. Costumes and grotesquerie.
    6. The Singer of All Songs –Kate Constable. Journeys and enchantments.
    7. The Ruins of Gorlan – John Flanagan. Exile and treachery
    8. Eon – Alison Goodman. Dragons and gender fluidity.
    9. The Book of Lies – James Moloney. Truth and magic.
    10. Finnikin of the Rock – Melina Marchetta. Curses and friendships
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