Narrative Transport. The official Michael Pryor website.
  • Writing
  • January19th

    Justin D’Ath

    Justin  is the author of over 30 books for children and young adults, including the hugely popular Extreme Adventures series.

    I grew up in a house of books – well, three houses really, since the family moved twice as it grew larger; and the books went with us, of course.  There’s a black and white photo of me, aged about 2, posing in front of our old blue Kombi during one of those moves. The rear of the Kombi is stacked with books.

    D'Athjustin

    Although you can’t see their covers, somewhere in that 1950s mobile library are the two Jungle Books, by Rudyard Kipling. I had the good luck, several years and one house-move later, to share a bedroom with my two elder brothers. Billy was a keen reader and an even keener story-teller, and often after lights-out he would recount to Philip and me a second-hand version of what he’d been reading that day. And this is how I first became acquainted with Mowgli’s wolf pack, with Shere Khan the tiger, with Baloo, Bagheera and Kaa; and with (always my favourite) that brave little mongoose, Rikki-Tikki-Tavi.

    When I was old enough to read the stories myself, I rediscovered the Jungle Books through Kipling’s own voice and those of his characters – and enjoyed them all over again. And I still do. I have a 1932 hardback copy of The Two Jungle Books , still with its slip jacket,  that I found in a Sunday market 12 months ago and which I dip into from time to time.  But in my heart, I still enjoy Billy’s version best.

    Justin’s  latest book is ‘Mission Fox, Horse Hijack’ from Puffin 2011. Find out more by visiting Justin’s website: www.justindath.com

     

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  • January17th

    I can finally divulge details of the top secret project I’ve been working on for some time. 10 Futures is a series of linked stories which explore humanity’s next hundred years. Ten story segments, ten possible futures, each with its own challenges and opportunities – overpopulation, worldwide financial collapse, medical miracles, the rise of artificial intelligence, virulent pandemics, global warming/climate change, greatly increased lifespans, religious fundamentalism and war.

    Shiny!

    What unites these stories is the presence of Tara and Sam, best friends forever, coping with the futures that we are setting up today. Every one of the story segments is based on a current trend or development – technological and sociological – with the assistance of a simple question: what happens if this continues?

    I spent a great deal of time researching these trends, and every item I uncovered was balanced by my need to work with the human aspect of these changes. the How do you grow up in 2050? In 2080? In a world where water is rationed? In a world where freedom is unknown? In a world where your partner is chosen for you by your genetic suitability? Much will stay the same – people will still be people in 2100 – but some new ethical and moral dilemmas will be spawned. What are the rights of clones? What is the punishment for water theft in a world where everyone is thirsty?

    I’m immensely proud of 10 Futures. Imagining the future is important. If we don’t think about it and talk about it in an informed and thoughtful way, we’re stumbling ahead blindfolded. Is that any way to proceed?

    10 Futures comes with an extensive set of Teachers’ Notes aligned to the Australian Curriculum and will be available in April. For more, including ordering details, see the Random House Australia site.

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  • January5th

    Ian Irvine

    Today’s Guest Blogger is Ian Irvine, one of our foremost fantasy writers and the author of the best-selling ‘Three Worlds’ sequence.

    We didn’t have TV until after I finished the HSC, in 1968, and my primary form of entertainment from the age of 4 was reading. I devoured books, thousands and thousands of them, indiscriminately, and the books I most enjoyed were tales of adventure and derring-do in exotic places.

    Among them, many of my favourites were the Biggles stories from the Second World War. And of all of the Biggles books, the one that stands above all others is Biggles in the Baltic, first published in 1940. Read More | Comments

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  • December31st

    As is customary, here’s my round-up of professional whatnots in 2011:

    • two books published – Hour of Need in May (the last book of ‘The Laws of Magic’) and The Extinction Gambit in December (the first book of ‘The Extraordinaires’)
    • wrote two books (‘The Extinction Gambit’ and a top secret project which is to be published in April next year)
    • three short stories published
    • visited twenty schools for author talks, including two schools in Hong Kong
    • appeared at the Sydney Writers Festival, Somerset Literary Festival, Woodend Literary Festival and the Write Around the Murray Festival
    • started a blog
    • planned and researched for the continuation of ‘The Extraordinaires’.

    I’m sure I’ve forgotten things, but I think that sums it up. Happy New Year to you all!

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  • December8th

    Tristan Bancks

    I wolfed these Paul Jennings’ stories down when I was about nine years-old. Unreal was so different to anything that I had read before. Read More | Comments

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  • December1st

    Scot Gardner

    Today’s Guest Blogger is Scot Gardner. Scot is a much loved and much lauded writer for young people. His many books since include ‘Burning Eddy’, which was short-listed for both the CBCA and NSW Premier’s Literary awards.

    As a kid, I read about the world. I memorised the Latin names of Australia’s deadliest snakes and could name all the birds that frequented our neighbourhood. I loved Cayley’s ‘What Bird is That?’ but I’d never read it from cover to cover, just flicked until I could pick a raptor in flight. I still have my coverless and dog-eared copy, but the first book I truly read—that hooked me and took me away—was a novel by an obscure American writer. The librarian at school handed me the copy—the one with the hand-drawn boy wearing the falconry glove and the Peregrine falcon in stoop. ‘My Side of the Mountain’ by Jean Craighead George. The librarian had handed me books before, but this was the first story. I took it home, lost myself and found myself between the pages. It’s a story about a boy who runs away from home and shelters in a hollow tree, lives off berries and nuts and has a falcon who hunts rabbits for him.  Autonomy. A glorified Northern hemisphere reflection of my antipodean summers. I was seventeen. I never had a falcon. From that moment on, when I spotted one in the sky, I’d hold up my wrist and whistle … just in case.

     

    Scot’s latest book is ‘The Dead I Know’, from Allen and Unwin. For more, visit Scot’s website.

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  • November29th

    I visit many schools and libraries, and speak to a lot of young people about books and reading and writing. One of the (many) things I tell them is that history is a fantasy writer’s best friend. As a fantasy writer, I Nom, nom, nomlove what history can offer. As well as simply being interesting in its own right, history is a goldmine for anyone contemplating writing fantasy. Take any period in history, change a few names, sprinkle in some magic and suddenly you have an outline for a massive fantasy trilogy. At least.

    While that might be tongue in cheek, learning about history is a superb way to generate ideas for writing. Not just the great people and great events – although that sort of thing is valuable – but intimate details of social history, how people lived and worked and played.

    This leads to one of the central paradoxes of writing fantasy. Yes, it’s all made up and imaginary and strange – but it works best when it’s realistic. The aim of the writer of fantasy is to make the exotic into something believable – or plausible, at least. Read More | Comments

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  • November24th

    Hazel Edwards

    Today’s Guest Post has Hazel Edwards remembering a particular, and mysterious, form of narrative transport. Hazel is one of Australia’s best-loved writers. She thrives on writing for all ages and has published over 200 books across a range of subjects and genres.

    Aged 14, I lived in a country general store, and caught the school bus into the high school. For a readaholic, that was 45 minutes reading either way.

    I loved mysteries or espionage (spies) because the stories had a twist. But I also liked biographies about writers, because I wanted to be an author, and I didn’t know any. I wanted to know how they could fit in adventures, travel , work ,family and friends and still have time to write. So I read about French writers like Simone de Beauvoir, Albert Camus  and others whose names I wasn’t sure how to pronounce. I appreciated English writer Virginia Woolf’s  need for a room of one’s own and an income if you wanted to write. I read about Australian writer Ruth Park (not knowing that in the future, her twin daughters  would illustrate my picture books. Deborah Niland illustrated  ‘There’s a Hippopotamus on Our Roof Eating Cake’  and Kilmeny Niland illustrated  my picture book ‘Feymouse’).  I also liked reading Chinese history about the female ruler whose name I couldn’t pronounce either.  That was often a problem from my reading, I’d mispronounce names because I’d only seen the words and never heard them spoken.

    Then I read about Antarctic explorers. And decided I wanted to be an adventurous writer who would have an excuse for travelling to interesting places, because writing about them was considered work. Later I went on an Antarctic expedition and trekked in Nepal and went outback. A few years ago, I wrote ‘Outback Ferals’ which is set in Darwin in the Northern Territory with choppers and crocodiles, so sometimes your early reading influences you in ways you can’t predict.

    A very different book was George Orwell’s ‘Animal Farm’  which was the first political satire I’d read. The animals acted like people. Orwell researched by ‘doing’ and having new experiences, in order to write realistically, and that  really appealed to me.

    I’m often asked my favourite book but my honest answer is usually the one I’m reading at the time. Because if you are inside the head of the author for the length of that book, or the length of the school bus ride, you are transported into another world.

    Hazel’s most recent books are the junior mystery, easy reading  series ‘Project Spy Kids’ and ‘Frequent Flyer Twins’  illustrated by Jane Connory, are downloadable e-books,  http://www.hazeledwards.com/shop/category/literacy-mysteries and even have stickers and merchandise. For more information, visit Hazel’s website.

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  • November22nd

    I made my first Book Trailer back in 2007, when the whole Book Trailer thing was really starting to take off. Since then, I’ve seen million dollar Book Trailers and I’ve seen Book Trailers done on a shoestring budget.Smile! Sometimes, it’s been hard to tell the difference – in good ways and bad ways.

    The challenge is always the same. A minute and a half (maybe more, maybe less) to entrance viewers, to captivate and fascinate them, to make them think that the book that is featured is the best thing ever and they simply have to go out and read it.

    All in ninety seconds.

    I’ve put together a few ideas for those attempting to put together a Book Trailer. I’m aiming these tips mostly at young people in schools, but the general principles are the same for everyone.

    Read More | Comments

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  • November17th

    Richard Harland

    Richard Harland

    Richard Harland

    uncle remus

    Uncle Remus and Brer Rabbit

     

     

     

     

     

     

     

    Today’s Guest Post has Richard Harland reminiscing about his cherished book from childhood. Richard is one of Australia’s most popular YA Fantasy writers.

    The first books I truly loved when I was old enough to read for myself were two books of Brer Rabbit stories.  I know Joel Chandler Harris collected and wrote out the original stories, and I’ve tried to read them as an adult, but the dialect was too heavy and I wasn’t interested in the Uncle Remus framing narrative. These books were the stories re-told in more modern English—I wouldn’t have a clue who did the re-telling or who drew the illustrations. Still, it wasn’t fully modern English, because the flavour of the original was still there in phrases like ‘licketty-split’ and ‘Brer Fox sez, sez he’. I remember the animal characters were always ‘sauntering along’ and being ‘’cute’ (i.e. acute, smart). Read More | Comments

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