Narrative Transport. The official Michael Pryor website.

February16th

music notes small

I like listening to and reading about other writers. I find the process of writing fascinating, and I find the multitude of different approaches empowering. There is no single magical formula for writing. There are a million ways to do it and to do it well.

Take the business of music while writing. I’ve asked many writers about their aural habits while writing, and the responses are truly varied. Some insist on absolute silence. Some will allow birdsong and other natural noises but nothing else. Some fill the room with heavy metal mayhem until the dust shakes down from the ceiling.

Me? I can have music, but I prefer it to be music without words. Words, even sung words, can intrude too much, especially if I’m writing dialogue. So instrumental music is fine, classical music can be good, but my favourite is movie music. Film scores can be sensational for nudging the right mood along. Vangelis’s ‘Bladerunner’ soundtrack is excellent if I’m in a futuristic world. ‘Lord of the Rings’ is perfect if I’m doing a battle scene. Erich Korngold’s score for ‘The Adventures of Robin Hood’ or the Indiana Jones march are terrific for those ‘let’s go adventuring’ moments, while if I’m after epic grandeur, I love Maurice Jarre’s ‘Lawrence of Arabia’. Spooky, creepy moments? Try Bernard Hermann’s ‘Vertigo’ or (if you’re up to it) ‘Psycho’. Romance? I love Max Steiner’s lushness. ‘Casablanca’ is an all time favourite, but when I find I’m thinking of Ingrid Bergman instead of what I’m meant to be writing, I know I need to change the playlist.

 

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